So anyway I've had a quick play - and it's all pretty promising - but wow - what a lot of work - remastering this is a project that's going to take a few years - and then there's the audio of course too.....
Miles has posted about his set up before - it's his GH4 on one of Roger's machines - so what I've got is a lot of still images at 4096 x 2304 and here's a quick clip showing what I've been able to do with it and what the work process is like.
I am completely open to advice - I'll write a lengthier piece detailing each step shortly, but this is a good clip now - it's really pushing the limits of the resolution I think - and I'm keen to get as good as quality as possible at the end result.
Cropping in to 16:9 is something I'm not 100% sold on yet, but I prefer that to 4:3 - although that's what we framed and shot the film in. Cropping in will also remove the vinjetting which we had no idea we were getting when we were filming
Remember this is only a rough pass/first go - it's what happens after the stabilisation before the final render that's critical and I don't want to do anything that degrades the image. I think I'll do the re-edit based on what I've got after the stabilisation stage, and then get really honed up on colour correction etc before I do anything else with it from there.
- can't remember how many but it was too many! 
