Halogenuros - podcast teaser
Moderator: Andreas Wideroe
Halogenuros - podcast teaser
We got a fab teaser of Daniel HenrÃÂquez-Ilic Halogenuros project on the Super 8 podcast - it's in higher res h264 ipod and Apple TV compliant
http://onsuper8.blogspot.com/2007/05/ha ... easer.html
http://onsuper8.blogspot.com/2007/05/ha ... easer.html
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- Posts: 89
- Joined: Wed Apr 18, 2007 8:26 pm
- Location: phoenix, az
halogenuros teaser
Hello,
Thank you and to Giles Perkins (onsuper8) for broadcasting on the web that short trailer
http://s3.video.blip.tv/0250000369687/O ... ser123.mov
Some info for the shots of the teaser (full information on the website, by late May).
-1-
Ocean
Pro8/01 color negative 50 Daylight (E.Kodak vision2 50D)
Voigtlander/Zeiss Ikon Moviflex MS8 camera with built-in Carl Zeiss Vario Sonnar zoom
-2-
Halogenuros title
- texture and color : from super-8 color neg. footage (clouds) Pro8/05 stock -
-3-
Dance (sequence 1) PÃÂa Uribe performing.
7217 vision2 200T color negative stock (E.Kodak)
Carl Zeiss T* lens
(for SLR 35mm photo format "135" with adapter Yashica/Contax to C-Mount)
Pro8 Classic camera
///probably under-exposed by 1 stop///
-4-
Fiction Sequence - Francisca Lewin performing
Pro8/01 color negative 50 Daylight (E.Kodak vision2 50D)
Carl Zeiss T* "High Speed" lens
(for Super 35mm film format with adapter PL to C-Mount)
Pro8 Classic camera
-5-
Fiction Sequence - Francisca Lewin performing
Pro8/01 color negative 50 Daylight (E.Kodak vision2 50D)
Carl Zeiss T* "High Speed" lens
(for Super 35mm film format with adapter PL to C-Mount)
Pro8 Classic camera
-6-
Bird flying
Pro8/05 color negative 250 Daylight (E.Kodak vision2 250D)
Carl Zeiss T* lens
(for SLR 35mm photo format "135" with adapter Yashica/Contax to C-Mount)
Pro8 Classic camera
---------------------------------------------
All the shots present in this teaser were shot in Chile between january 2005 and august 2006 and developed on ECN-2 Normal process at Megacolor, Sao Paulo, Brasil.
All the shots scannned at 2K RGB 10 bit log data resolution in Park Road Post, New Zealand (between april 2005 and september 2006) and post-produced on Quantel eQ station (color treatment through QColour) in Chile at Atomica S.A post-production center.
----------------------------------------------
Music of the teaser : Green Bamboo (artist Klub Rider - editorial PMB)
(full credits on the website and on the short-film)
-----------------------------------------------
chao,
Daniel
Thank you and to Giles Perkins (onsuper8) for broadcasting on the web that short trailer
http://s3.video.blip.tv/0250000369687/O ... ser123.mov
Some info for the shots of the teaser (full information on the website, by late May).
-1-
Ocean
Pro8/01 color negative 50 Daylight (E.Kodak vision2 50D)
Voigtlander/Zeiss Ikon Moviflex MS8 camera with built-in Carl Zeiss Vario Sonnar zoom
-2-
Halogenuros title
- texture and color : from super-8 color neg. footage (clouds) Pro8/05 stock -
-3-
Dance (sequence 1) PÃÂa Uribe performing.
7217 vision2 200T color negative stock (E.Kodak)
Carl Zeiss T* lens
(for SLR 35mm photo format "135" with adapter Yashica/Contax to C-Mount)
Pro8 Classic camera
///probably under-exposed by 1 stop///
-4-
Fiction Sequence - Francisca Lewin performing
Pro8/01 color negative 50 Daylight (E.Kodak vision2 50D)
Carl Zeiss T* "High Speed" lens
(for Super 35mm film format with adapter PL to C-Mount)
Pro8 Classic camera
-5-
Fiction Sequence - Francisca Lewin performing
Pro8/01 color negative 50 Daylight (E.Kodak vision2 50D)
Carl Zeiss T* "High Speed" lens
(for Super 35mm film format with adapter PL to C-Mount)
Pro8 Classic camera
-6-
Bird flying
Pro8/05 color negative 250 Daylight (E.Kodak vision2 250D)
Carl Zeiss T* lens
(for SLR 35mm photo format "135" with adapter Yashica/Contax to C-Mount)
Pro8 Classic camera
---------------------------------------------
All the shots present in this teaser were shot in Chile between january 2005 and august 2006 and developed on ECN-2 Normal process at Megacolor, Sao Paulo, Brasil.
All the shots scannned at 2K RGB 10 bit log data resolution in Park Road Post, New Zealand (between april 2005 and september 2006) and post-produced on Quantel eQ station (color treatment through QColour) in Chile at Atomica S.A post-production center.
----------------------------------------------
Music of the teaser : Green Bamboo (artist Klub Rider - editorial PMB)
(full credits on the website and on the short-film)
-----------------------------------------------
chao,
Daniel
Very impressive. I agree with Scott in that it doesn’t look much like super 8 at all. That last shot with the bird soaring into the air with the ocean and mountains in the distance looks more like 16mm. I must say that this is a really interesting experiment - putting super 8 through a professional workflow utilizing some of the best technologies currently available and seeing what the results are like.
Thanx...
Here some temporal link
http://www.fotolog.com/dhisur/20661800
http://www.fotolog.com/dhisur
with film frames and some backstage photos
then the pictures and report will be on-line at http://www.filmhalogenuros.cl
bye,
Daniel
Here some temporal link
http://www.fotolog.com/dhisur/20661800
http://www.fotolog.com/dhisur
with film frames and some backstage photos
then the pictures and report will be on-line at http://www.filmhalogenuros.cl
bye,
Daniel
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I noticed your 2k transfer and 10bit colour was done in NZ - which is good news for all us Australians - somewhere so close, and I don't think there's anywhere here that can do that (correct me if I'm wrong anyone).
BTW the Pro 8 classic camera is their rebadged Beaulieu 4008 isn't it? Is there any significant chages to the camera that they make?
What was it like using the 35mm lenses? I assume you chose them because of their speed and sharpness but did they feel like you were permanently zoomed in? Did it make it difficult doing any close up shots?
Scot
BTW the Pro 8 classic camera is their rebadged Beaulieu 4008 isn't it? Is there any significant chages to the camera that they make?
What was it like using the 35mm lenses? I assume you chose them because of their speed and sharpness but did they feel like you were permanently zoomed in? Did it make it difficult doing any close up shots?
Scot
Read my science fiction novel The Forest of Life at https://www.amazon.com/gp/product/B01D38AV4K
Re: Halogenuros - podcast teaser
Imagine if most major productions were shot this way. The loss in revenue to Kodak.....hmmm......certain things about Kodak and Super 8 are starting to add up :roll: Maybe they can slip this one in at the Denver Film Festival.onsuper8 wrote:We got a fab teaser of Daniel HenrÃÂquez-Ilic Halogenuros project on the Super 8 podcast - it's in higher res h264 ipod and Apple TV compliant
http://onsuper8.blogspot.com/2007/05/ha ... easer.html