Filmshooting

Here is the link of the Music Video I mentionned
before in this thread:

https://m.youtube.com/watch?v=UaQgtLYDxFc

Currently finishing the post-production of a music-video shot in Super 35 (Arri 435 Xtreme with Cooke 15-40 zoom mostly and couple of different shots with Carl Zeiss Ultra Prime) and Super-8 (Classic Pro8 Max8 with Ultra Prime lens, Moviflex MS8 and 1x8 Quartz). The stock in 35mm was Kodak 5203, dev...

Hi, I have been testing the very same stock, Eastman Double X (5222) but in 135 format and with Ilfotec DD-X developer ( http://www.ilfordphoto.com/products/product.asp?n=31 ) I plan to test developing Double X (super-8) with Ilfotec DD-X to compare results, Yes my company Fotoquímica Films SpA, ...

double post

Hi, I have reviewed your footage. The first 30 seconds are just great. Very fine development and scanning indeed. I also send currently my Kodak 7203 footage for processing and scanning to Pro8mm. Regarding color grading, our company in Chile does offer color grading services, but also trainings. Yo...

Fotoquímica Films SpA in Chile has started development services of Double X black and white negative in Super-8 format (custom load of Kodak 5222 stock). Currently processing are done into D-76 (1+0) at 20ºC during 7 minutes with a Jobo expert tank. We plan to process into D-96 in the short te...

Hello, Amazing news from the UK... Link : http://www.alphagrip.co.uk/index.php/blog/item/363-alpha-lab-and-mb60 A DoP based in London was at Pinewood few days ago and reported on a professional list : "Unprocessed neg goes in one end and digitised rushes come out the other. Can go anywhere and ...

Hi Carl, What' is the point of the colour chart in there? The X-Rite Colorchecker Digital SG and Colorcheker color charts were used as some reference of color and gray scale, just to have some known patches in the pictures. During the grading these patches were used for the primary color grading, bu...

Carl, This test is not designed to choose a camera to purchase nor to sell you or anybody anything. And the purpose of sharing it, is to present it to people that do shoot film as well as digital, as simple as that, just professionals, film students, or filmmakers like in this board. People that sha...

Carl, The primary intention is just to compare the different results one would get, using film or digital devices like the mentionned ones, when used in the same scene setup, with the same glass, T stop, and lighting conditions through a specific post-production workflow. As it is the same scene sho...

BTW, ProRes 4x4 is a video format not a RAW format. This is not a test trying to show the best imagery you can get from each camera for each shot, then yes you could change the lighting or place ND in the windows etc. This first test is based in that there are no lighting modifications, lens modific...

Thanks Mana.
I have also found another unit in Holland.

Hello, The company where I work since two years ago, did produce in 2013 a demo that compares 35mm (Vision3) scanned at 4K RGB 16 bits log/flat (TIFF files) via a DFT Scanity with Arri Alexa (recording in Pro Res 4x4) and Red Epic-X MX (R3D files). Same glass, ISO settings, T stop and fps. The actre...

Hello, A friend is looking to purchase this projector : Brand:Canon Model:CINE PROJECTOR S- 400 (CINESTAR S- 400) http://www.canon.com/camera-museum/camera/cine/data/1956-1970/1969_cinestar_s400.html Does anyone in this board have one unit to sell, or a place to recommend where it can be purchased? ...

I have seen a sample take (DNG) on a grade1 monitor. There was not much to do on the color grading with the sample file (provided by Digital Bolex). Image quality wise (dynamic range, skin tones etc), the quality was really low-end. I think they still have to improve a lot their camera. But of cours...