Filmshooting

thanks for this, looks excellent!

If you need to, there is a exposure compensation dial on the side of the camera (on the camera loading side). You can make auto exposure adjustments in increments on there. yes! this is what i'm after on this post, but obviously i'm not making myself clear. should stop drinking or access the forum ...

place cartridge in camera, aim lens at subject, depress film transport trigger. haha, thanks. that's actually what i wanted to hear. what i meant was that usually i tend to overthink all the compensations and such like happened last time with velvia and 100D. in the end, all the material turned out...

(i tried searching for the topic, but...) is there really an easy way to shoot 200T and 500T with canon 814xl-s? i mean, how much can i expect the latitude to forgive wrong exposure? i'll be shooting a wedding ceremony outdoors next weekend and was looking for an easy way to compensate the amount i ...

great test.

thanks for posting on the site as well!

just to wet your appetite while waiting: http://xs315.xs.to/xs315/07193/Image0.jpg.xs.jpg http://xs315.xs.to/xs315/07193/654654654654.jpg.xs.jpg http://xs315.xs.to/xs315/07193/654654654654654.jpg.xs.jpg in my opinion 50d is totally worth waiting for. finally got this material from last summer develo...

it's pretty interesting stuff he did on the 'optometry' album. he's using live jazz players and does the electronics on top of that, the result being a very seamless and unique album (i haven't heard anything more recent from him). if this project is going to work even half as well while combining f...

the batteries are a pain, agreed. somehow i was able to use up my new weincells by shooting just 5 or six carts last year. got them locked in my nizo s56 the whole time, which was a bad idea i guess (no contact to air). if you got the option to get your hands on a pro, do it. saves the hassle. and t...

hmm.. when i bought my 814 xl-s, i remember that at one point i was bidding for az as well but later quit as i found something i didn't like in the specs. now i just can't remember what it was... maybe it was the variable shutter: xl-s has selectable 150' to 220', but az "variable to 150'"...

excellent. i loved the way you tell the 'story'. disturbing and incoherent, just what i'd want my projects to be :D. however, this project feels a bit too personal for you. as all these beautiful images just flowed by, i kind of lost interest halfway through. nothing i could really grasp on, no tens...

hi nathan,

i finally managed to read to the bottom of your website without my eyes hurting .

ordered a PAL copy, really looking forward to seeing it!

certainly I have had trouble with Velvia (an acetate stock) in reloadable carts...the same carts that have worked o.k. with 64t. Me thinks this problem might be why Wittner have never gone ahead with Wittner 50d (velvia) in carts... sure they did. i just shot 10 rolls of pre-packed wittnerchrome 50...

This new format combines the worst properties of video and film.

I love it!!!

patrick, thanks. yes you're right, it's due to the cylinderic surface.

i got recently into pinhole-stuff again. somehow it's excitingly fresh approach after a few years of shooting mainly digital. here's a recent shot of a church in helsinki, should someone want to take a look: http://img179.imageshack.us/img179/9596/tuomio120sdx9.th.jpg the camera here is a ballantine...