Face/Off: Japanese 8mm

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ccortez
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Face/Off: Japanese 8mm

Post by ccortez »

The filmshooting.com community has paid off for me yet again:

Avram Dodson, a new member of the forum, got in touch with me recently thru this forum b/c he's an Austinite recently interested in Super 8. He is also director of guest relations for this year's Cinematexas film festival, which is related to the Univ of TX somehow. He offered me a free pass, which I gratefully accepted. And he bought me a beer, which I also gratefully accepted. :)

I wish I could have attended more films (and parties), but at least I attended the thing I had my eye on - a showing of 10 Japanese student Super-8 films on Saturday afternoon.

Some were "academic" and some I didn't "get" exactly, but they were all generally technically excellent for 8mm -- much better than what I usually see at the local "Flicker" showings. I'm not sure if they were all D8 or if some shot S8 or Straight-8 or DS8 or whatever... but there was never and jitter or shake, just really good registration.

The thing I liked most about the films was the sense of playfulness that was common to almost all of them. There were 10 films, and I can't think of any that seemed to take themselves too seriously. That's almost always my initial reaction to American film student efforts - no sense of play, and a lot of fakey "depth" or drama.

A few of the films were really great, and there was a kabuki one that I'd like to see again. Most did a lot with stop motion, with people either hovering or moving all around while standing still. One (funny, beautiful) film used choreographed movement, gymnast-types and an intervalometer and just put that whole style to bed -- it never needs doing again.

Anyway, talking about film is like dancing about architecture, or so the saying goes. I mostly wanted to give a shout to avram for the invite and to point out that, for whatever reason, there are still Japanese film students getting a lot of mileage out of 8mm.
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Re: Face/Off: Japanese 8mm

Post by VideoFred »

ccortez wrote: I'm not sure if they were all D8 or if some shot S8 or Straight-8 or DS8 or whatever... but there was never and jitter or shake, just really good registration.
Japanese?

Are you shure it was not single-8?

Fred.
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Re: Face/Off: Japanese 8mm

Post by ccortez »

VideoFred wrote:
ccortez wrote: I'm not sure if they were all D8 or if some shot S8 or Straight-8 or DS8 or whatever... but there was never and jitter or shake, just really good registration.
Japanese?

Are you shure it was not single-8?

Fred.
err, single-8 is what i meant when i wrote "straight-8" above. there is no "straight-8", i just tossed that out there to confuse newbies. ;)

EDIT: to elucidate even further, there IS a "straight-8" but it isn't a cartridge/film format; rather, it's a structure/ruleset that governs a festival and a style of shooting. But you all knew that anyway... ;)
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Post by Justin Lovell »

I thought it was some kind of homo-phobic super 8 shooters club.
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Post by ccortez »

jusetan wrote:I thought it was some kind of homo-phobic super 8 shooters club.
:lol:
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Re: Face/Off: Japanese 8mm

Post by etimh »

ccortez wrote:Anyway, talking about film is like dancing about architecture, or so the saying goes.
Huh?

I get the "irony," just disagree completely and wonder who came up with such a dopey dodge. Probably lazy production people who don't want to earn their critical chops.

Tim
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Post by etimh »

Found a reference to the original phrasing: "Talking about LOVE is like dancing about architecture."

This makes more sense...I guess.

Tim
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Post by timdrage »

The original quote is "talking about music is like dancing about architecture" and noone seems to know who came up with it first.
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Post by etimh »

timdrage wrote:The original quote is "talking about music is like dancing about architecture" and noone seems to know who came up with it first.
Yeah, found this one too. And evidently Elvis Costello did make the reference to "writing about people watching movies is like dancing about architecture." Still, neither makes sense to me. You could just as easily say talking about anything...

"Love" works though.

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Post by ccortez »

I find it sad that you're more interested in talking about talking than you are in talking about japanese 8mm. ;-) But maybe it's just my mood...
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Post by S8 Booster »

..tnx for reminding me Michael Lehnert.... or Santo or.... cinematography.com super8 - the forum of Rednex, Wannabees and Pretenders...
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Post by etimh »

ccortez wrote:I find it sad that you're more interested in talking about talking than you are in talking about japanese 8mm. ;-) But maybe it's just my mood...
Sometimes I'm interested in talking about Japanese 8mm...and sometimes I'm interested in talking about talking (or bullshitting, whatever the case may be).

It depends on my mood.

But I'll try to pay better attention as to what you would like me to talk about exactly. Okay ccortez?

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Post by S8 Booster »

link to some japanses si8 film posted long ago. not sure if it is active now:


Link to Japanese Single8 WEB film

just tried it have no acess abymore it seems.

s/hoot
..tnx for reminding me Michael Lehnert.... or Santo or.... cinematography.com super8 - the forum of Rednex, Wannabees and Pretenders...
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Post by kentbulza »

S8 Booster wrote:link to some japanses si8 film posted long ago. not sure if it is active now:


Link to Japanese Single8 WEB film

just tried it have no acess abymore it seems.

s/hoot
This was the one filmed with a Z800 of superimposed scenes of winter, right? I'll look araound and see if I can find it. That guy is very talented.
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Post by S8 Booster »

no. i think it was a love drama the guy chasing a woman, he ran faster and faster through the film - she moved slowly (slow motion) but he never catched up with her. brilliant piece really. know it was si8 cam unknown.

s/hoot
..tnx for reminding me Michael Lehnert.... or Santo or.... cinematography.com super8 - the forum of Rednex, Wannabees and Pretenders...
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