Tscan, your clip looks fantastic! I could easily tell the tri-x of course, but I got distracted by the performances and stopped looking for grain, couldn't tell the 16mm from the 500T.Tscan wrote:I would love to see V3 50D in S8, but maybe at the expense of 200T. I have only used 200T in daylight conditions where I could have used 50D as well. The 500T can look really nice in S8... I used to shoot live bands on 500T S8, transfered at the old Flying Spot (now Lightpress) in Seattle and it was not that grainy. The TriX B&W had more grain than the 500T. Daylight is another story. Here's a sampler of 500T S8 and a little 16mm (with a touch of S8 TriX) it's almost hard to tell which is which-
http://vimeo.com/8621860
What camera were you shooting with? Looks like the lighting on the stage was pretty good, (the violinist stands out in contrast, looks like it's in someone's house with a couple of existing 100 watt lamps).
G