71er wrote:Hi mr_x!
I have to admit that getting my films into digital format was never an issue for me until now, so I never ever looked into it.
When you write that I should video the film gate, do you mean that I should take the projector's lens off and direct the video camera right onto the film gate? Isn't that far too bright? Give me some advice please, I'm a complete novice in this field!
Hi Alex,
you can construct an aerial transfer 'box' for the cost of a piece of plywood, a large magnifying glass and a few other bits and pieces. you projector projects onto a single surface mirror (eBay) and reflects your filmgate at a
right angle through the magnifying glass into the lens of your zoomed dv cam
you will need a variable speed projector (3 blade) to sync with the dv cam: just keep gently manipulating the projector speed until the image stabilises (16.67fps for 18fps film)
you swop your tungsten bulb for a lower wattage and mask that with some white glass or white perspex in order to balance the illumination across the film gate, so no 'hot spot'
the magnifying glass needs to be reasonably powerful but it doesn't have to be engineered by Nasa - i got mine on the Bay
your cam will need manual option settings - it musn't be fully automatic, you set it to 1/50th which is exactly 3 times as fast as 16.6fps, thus synchronisation.
will see if i can find some pictures of the transfer unit ;)
R