Pro 8 Fuji Eterna Vivid 160T is correctly notched!

Post by **escubria** » Sat Nov 10, 2007 9:18 pm

onsuper8 wrote:Here's a short clip of a project I have just completed, "The Ferryman", mostly shot in Fuji Eterna Vivid 160, shot with a Canon 814XLS, 85 filter on the front - the clip is only 25 seconds (of the 7 minute film) and it's in h264 Quicktime (320x240) 3MB but gives you an idea of what it looks like in Super 8 - I for one like the over-saturated look!

http://homepage.mac.com/onsuper8/junk/sample160.mov

I shot 5 rolls of it - no problems with jitter etc. all went swimmingly - I'll leave it up for a few days...

That looks fantastic, who did your transfer?

Post by **onsuper8** » Sat Nov 10, 2007 9:40 pm

Pro8mm did the transfer on their "Y" Front Ursa Diamond machine.

Post by **T-Scan** » Sun Nov 11, 2007 1:14 am

It looks good, but not different.

Post by **onsuper8** » Sun Nov 11, 2007 11:05 am

I'd agree - the look isn't that different - its quite subtle - it was a very overcast day day when that footage was shot - so maybe in well lit conditions it might be as different again!

Post by **cubdukat** » Sun Nov 11, 2007 10:41 pm

mattias wrote:san francisco looks fantastic on cross processed reversal. i shot a couple rolls of ektachrome 100vs there that turned out gorgeous. a misty day in the presidio is a photographer's dream. so, what i'm saying is that 160t might also work great. good luck.

/matt

Sounds cool. I'm not much of a fan of cross-processing, but I'm sure it looks really good on its own.

The Presidio is one of the first places I plan to hit. Maybe if I'm lucky, I can break into ILM and see what they're up to

Post by **Muckymuck** » Thu Nov 15, 2007 2:52 am

Here's a quirky British music video which seems to have been shot on Eterna Vivid 160T. OK it ain't Super 8 but it gives an idea as to the look.

http://www.youtube.com/watch?v=8cF9hnr4pB4