Home Movie
Moderator: Andreas Wideroe
Home Movie
Here we go my first upload.
This is a film I put together of my children between 2003 and 2004.
It was shot on super 8mm K40 and some 20 + year old tri-x and plus x 16mm.
The Film is cut to Baby I've got you on my mind by Aussie band Powderfinger
Camera's used were a Minolta 84XL, a shitty old Chinon 805s and a K-3 for the 16mm
Most of the Transfer was a DIY job with some of the 16mm having a Pro Transfer at Digital Pictures in Melbourne.
It was also my first ever edit in Adobe Premier Pro.
The file is in Divx Format with layer 3 16bit 48k Audio
ftp://ftp.filmshooting.com/upload/video ... emovie.avi
File size is 25mb
This is a film I put together of my children between 2003 and 2004.
It was shot on super 8mm K40 and some 20 + year old tri-x and plus x 16mm.
The Film is cut to Baby I've got you on my mind by Aussie band Powderfinger
Camera's used were a Minolta 84XL, a shitty old Chinon 805s and a K-3 for the 16mm
Most of the Transfer was a DIY job with some of the 16mm having a Pro Transfer at Digital Pictures in Melbourne.
It was also my first ever edit in Adobe Premier Pro.
The file is in Divx Format with layer 3 16bit 48k Audio
ftp://ftp.filmshooting.com/upload/video ... emovie.avi
File size is 25mb
It's not the size that counts, its what u do with it!


- MovieStuff
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Love the heavy guitar and the transitions you used early on (they looked like tape splice images). Great stuff of the kids. I think my fave was the sliding down the bar towards the camera to come into focus. Very nice.
OK, I have to say it, I saw a hair in the transfer at the 2.57 second mark...Hey, I liked it all the same.
I liked your 4image rotation...I will have to figure that out in vegas...
Thank you for sharing!
Cheers,
Michael
OK, I have to say it, I saw a hair in the transfer at the 2.57 second mark...Hey, I liked it all the same.
I liked your 4image rotation...I will have to figure that out in vegas...
Thank you for sharing!
Cheers,
Michael
My website - check it out...
http://super8man.filmshooting.com/
http://super8man.filmshooting.com/
Thats cute! Much more exciting to have than crappy old videotapes. Memories are much better memories on film.
ps. when I was watching the film I particularly liked the B+W stuff, good contrast and very stable and hadnt read your post yet and was prepared to ask how you did that but then I saw it was 16.
Good Job
andy
ps. when I was watching the film I particularly liked the B+W stuff, good contrast and very stable and hadnt read your post yet and was prepared to ask how you did that but then I saw it was 16.
Good Job
andy
- thebrowniecameraguy
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Fabulous!
I like Kodachrome in the evening and some shots were just that, it looked to me anyway. Your kids in the pool, with what looked like the sun infront of camera setting, right?
Anyway, I love the color saturation that the Kodachrome stock itself has had (including K40, K25, KII daylight, indoor and orginal Kodachrome asa 10 and 15). I like the home movies we have of over 50+ years, its all color Kodachrome. Which, I am a bit surprised that the only black and white are rolls I shot of Plus X. I guess it was easier to get color processed, I wonder if Kodak even processed their own B&W stocks in regular 8mm.
Anyway, great home movies. That term has always implied "FILM" to me, not video.
I like hearing people say, "I am filming you, dont do anything stupid". That drives me insane, esp. in my own family.
Cheers,
Jordan
I like Kodachrome in the evening and some shots were just that, it looked to me anyway. Your kids in the pool, with what looked like the sun infront of camera setting, right?
Anyway, I love the color saturation that the Kodachrome stock itself has had (including K40, K25, KII daylight, indoor and orginal Kodachrome asa 10 and 15). I like the home movies we have of over 50+ years, its all color Kodachrome. Which, I am a bit surprised that the only black and white are rolls I shot of Plus X. I guess it was easier to get color processed, I wonder if Kodak even processed their own B&W stocks in regular 8mm.
Anyway, great home movies. That term has always implied "FILM" to me, not video.
I like hearing people say, "I am filming you, dont do anything stupid". That drives me insane, esp. in my own family.
Cheers,
Jordan
I'm back, I'm back- thebrowniecameraguy is back! I still have my Brownie 8mm Turret f/1.9! Time to play!
Thanks Super8mansuper8man wrote:Love the heavy guitar and the transitions you used early on (they looked like tape splice images). Great stuff of the kids. I think my fave was the sliding down the bar towards the camera to come into focus. Very nice.
OK, I have to say it, I saw a hair in the transfer at the 2.57 second mark...Hey, I liked it all the same.
I liked your 4image rotation...I will have to figure that out in vegas...
Thank you for sharing!
Cheers,
Michael

Browsing your website a few years ago got me hooked on Super 8mm and film in general.
It's not the size that counts, its what u do with it!


The colours were made soft when converting from mpeg 2 to divx 5.1mattias wrote:yeah, i alway want to shoot more b&w now. good work. it bothered me that all the color shots were soft or even out of focus though. really hard to watch without sitting and waiting for it to pop, which it doesn't.
/matt

It also made the b+W not as sharp
I don't have an avi to Divx software.
Yes there is some very soft focus shots... I was running out footage for the clip.
Last edited by soundboy on Wed Feb 09, 2005 10:56 am, edited 1 time in total.
It's not the size that counts, its what u do with it!


Yup that was the problem.. something to work on next time.... or find someone with a work printer.mattias wrote:well, it's not that the colors are soft, it's that the focus is soft. i guess you didn't focus quite dead on in the diy transfer...
/matt
It's not the size that counts, its what u do with it!


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Fantastic editing and use of old home movie archive material. Great job.
Some titles and credits on the film would help us viewing it in later months and years to know where it came from and who did it
Close up shots long ago were difficult without focusing lenses or without close up lenses. Just a little more distance on some of those shots would have sharpened them right up. You can feel it almost happening.
Michael Carter
Some titles and credits on the film would help us viewing it in later months and years to know where it came from and who did it
Close up shots long ago were difficult without focusing lenses or without close up lenses. Just a little more distance on some of those shots would have sharpened them right up. You can feel it almost happening.
Michael Carter