Straight 8 on channel 4
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Straight 8 on channel 4
If anyone is interested there are two programmes coming up here in the UK on Channel 4 soon, each one featuring many of the best Straight 8 films that were screened at festivals like Cannes
3 November 12.50 (night)
10 November 12.30 (night)
I am not 100% sure whether they mean 3 / 10 November TV listings (ie technically 4 / 11 November)
Best check the official TV listings, but well worth a look. Some people have done very well.
More info:
http://www.straight8.net
Matt
3 November 12.50 (night)
10 November 12.30 (night)
I am not 100% sure whether they mean 3 / 10 November TV listings (ie technically 4 / 11 November)
Best check the official TV listings, but well worth a look. Some people have done very well.
More info:
http://www.straight8.net
Matt
Birmingham UK.
http://www.wells-photography.co.uk
Avatar: Kenneth Moore (left) with producers (centre) discussing forthcoming film to be financed by my grandfather (right) C.1962
http://www.wells-photography.co.uk
Avatar: Kenneth Moore (left) with producers (centre) discussing forthcoming film to be financed by my grandfather (right) C.1962
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I haven't posted here in ages, but I had a browse today and linked to the site above.
Pardon my French, but the film I saw there, "Heel," is nothing short of FUCKING AMAZING!!! It took an age to download, but it is truly extraordinary what can be achieved with £12 worth of film. I am humbled. Respect!
Lucas Lightfeat
Pardon my French, but the film I saw there, "Heel," is nothing short of FUCKING AMAZING!!! It took an age to download, but it is truly extraordinary what can be achieved with £12 worth of film. I am humbled. Respect!
Lucas Lightfeat
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I absolutely agree. From a technical standpoint it is brilliant and must have taken ages to do.Lucas Lightfeat wrote:I haven't posted here in ages, but I had a browse today and linked to the site above.
Pardon my French, but the film I saw there, "Heel," is nothing short of FUCKING AMAZING!!! It took an age to download, but it is truly extraordinary what can be achieved with £12 worth of film. I am humbled. Respect!
Lucas Lightfeat
I enterd a film myself, but sadly it turned out to be rather crap - I didn't keep it moving quickly enough (especially in view of the fact that part of it included a car chase) and I think that this is really the thing to watch out for. In my defense we only spent a very short time preparing for it so that is my one excuse.
Matt
Birmingham UK.
http://www.wells-photography.co.uk
Avatar: Kenneth Moore (left) with producers (centre) discussing forthcoming film to be financed by my grandfather (right) C.1962
http://www.wells-photography.co.uk
Avatar: Kenneth Moore (left) with producers (centre) discussing forthcoming film to be financed by my grandfather (right) C.1962
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I'll certainly be tuning in, sounds great! I had'nt heard of straight 8 before so thanks for putting me on to it matt. I also agree 'heel' was a great film and if thats anything to go by the programs on channel 4 will be welcome relief from the rubbish that seems to clog up the TV schedules.
Tell us more matt about your entry, I'm interested in how you went about the project and its results.
Tell us more matt about your entry, I'm interested in how you went about the project and its results.
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Basically I decided to enter at the last minute. Between myself, my fiance and her three brothers we decided to produce a film that revolved around a car chase. OK mabey this was a liitle ambitious, but we filmed it in North Shropshire on a Sunday afternoon. My fiance and her brother played the two parts and her other two brothers kept a log of all shots with and used a stop watch. A brief synopsis is my fiance is walking, in deep thought, beside a lake (long lens, windy day etc etc.) she then stumbles upon her brother who is supposed to be a long lost lover/friend/family member - anyway, someone she wants to speak to, but someone who doesn't want to speak to her. Thus the chase ensues with plenty of action shots (wheels skidding etc etc) people out walking enjoying the afternoon wondered what was going on. The chase is plotted with a number of shots from each of the cars and we used the mostly deserted country lanes around ther area. The story culminated when they reach a church yard and chase each other on foot, and eventually my fiance's brother "dissappears" in front of a grave stone which was our only optical effect (fade out and then backwound the film). She is then in amazement - What was he, a ghost or what?
The final shot of the film involved his car disappearing also - apart from it didn't disappear because I forgot to move it after backwinding the film! Doh - What was I thinking - not very much I suppose.
The sound track was a sort of fast moving electronic track and a "spooky" wind through the trees sound for the disappearing scenes.
The problems with it were:
Poor acting
Too slow
Crap sound
Ended wrong
On the plus side:
The story worked for a 3min 20sec film.
Matt
The final shot of the film involved his car disappearing also - apart from it didn't disappear because I forgot to move it after backwinding the film! Doh - What was I thinking - not very much I suppose.
The sound track was a sort of fast moving electronic track and a "spooky" wind through the trees sound for the disappearing scenes.
The problems with it were:
Poor acting
Too slow
Crap sound
Ended wrong
On the plus side:
The story worked for a 3min 20sec film.
Matt
Birmingham UK.
http://www.wells-photography.co.uk
Avatar: Kenneth Moore (left) with producers (centre) discussing forthcoming film to be financed by my grandfather (right) C.1962
http://www.wells-photography.co.uk
Avatar: Kenneth Moore (left) with producers (centre) discussing forthcoming film to be financed by my grandfather (right) C.1962
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Mabey it wasn't crap enough?jedi knight wrote:yeah i agree with jeremy on this - you cant use bad acting as an excuse, because most of the films that win have crap acting anyway, so thats actually a good thing!
Matt
Birmingham UK.
http://www.wells-photography.co.uk
Avatar: Kenneth Moore (left) with producers (centre) discussing forthcoming film to be financed by my grandfather (right) C.1962
http://www.wells-photography.co.uk
Avatar: Kenneth Moore (left) with producers (centre) discussing forthcoming film to be financed by my grandfather (right) C.1962