Animation
Moderator: Andreas Wideroe
- Andreas Wideroe
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Hi Nolan!
It will most likely look jumpy and not too good. I suggest you buy a cheap camera that can shoot single frames and use this one instead. I'm sure you can easily get a camera like that on eBay for about $25.
Good luck!
It will most likely look jumpy and not too good. I suggest you buy a cheap camera that can shoot single frames and use this one instead. I'm sure you can easily get a camera like that on eBay for about $25.
Good luck!
Andreas Wideroe
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- CHAS
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I must disagree. I've been using a Bolex 155 for years and it doesn't have single-frame capabilities. I use either a cable release which helps some or just press the trigger quickly. It comes out really well with some practice. I do stop-motion animation with 12" action figures and for that I move everything as slowly as possible to get a real smooth look.
- Andreas Wideroe
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I guess you're right Chas - with some practise I'm sure you're able to get a decent animation, but still, I guess single frame is the ultimate way to go?
By the way, aproximatly how many frames do you expose each time you press the trigger (Chas)?
By the way, aproximatly how many frames do you expose each time you press the trigger (Chas)?
Andreas Wideroe
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I guess single-frame would be preferable but what I'm trying to say is that it shouldn't limit you if you don't have a single-frame camera.
IMHO, the most important things are focus and story. If you don't have either then your final product is crap regardless of whether or not you have correctly done single frame throughout your piece (and I could go on about S8 film fests where people with much better cameras than mine have produced the biggest piles of shit but I won't bore you here).
I never really noticed how many frames it took -- my guess is around 2 -- I've gotten it down to looking really fluid regardless.
IMHO, the most important things are focus and story. If you don't have either then your final product is crap regardless of whether or not you have correctly done single frame throughout your piece (and I could go on about S8 film fests where people with much better cameras than mine have produced the biggest piles of shit but I won't bore you here).
I never really noticed how many frames it took -- my guess is around 2 -- I've gotten it down to looking really fluid regardless.
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Single Frames
Well, I have been involved with stop motion animation for a number of years. If you are a beginner and just learning, or your budget is very limited and you cannot afford a camera with "single frame" feature, then maybe...... okay......and attempt your animation by shooting 'wild' (without single frames).
If you ever want to get into animation in a more serious way, then one must have the most basic feature which is the ability to shoot "single frames".......you have ultimate control of the frame-to-frame incremental animation movements.......and you can break down or calculate your animation based on 24fps or 30fps. I am guessing, your animation is acceptable to you, but for more professional results, it is recommended you use a camera with single frame capability. You will advance yourself much more in the practice of animation.
I am only speaking in terms of doing animation that is more finessed and smooth. If you are happy with your results, then continue on !
If you ever want to get into animation in a more serious way, then one must have the most basic feature which is the ability to shoot "single frames".......you have ultimate control of the frame-to-frame incremental animation movements.......and you can break down or calculate your animation based on 24fps or 30fps. I am guessing, your animation is acceptable to you, but for more professional results, it is recommended you use a camera with single frame capability. You will advance yourself much more in the practice of animation.
I am only speaking in terms of doing animation that is more finessed and smooth. If you are happy with your results, then continue on !
