Question arose with the guys the other night. If Kodak film either stopped production or got too catridge jittery to depend on. Would you go Fuji single-8 or kick ass up to 16mm.?
I've started using Fuji lately and am more inpressed by the cameras/film than I expected.
If K40 disappeared tomorrow
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skyliner wrote:Currently using the widescreen centre (uk) £13.95 for the carts (both speeds) and £9.51 for processing (in Japan).
A total of 39 dollars !!!!!!!
Obviously I don't like thisand nor does my bank manager so any improvement let me know.

Here is the link:-
http://film.club.ne.jp/english/eng_single8_film.htm
Regards,
Bill
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Well,
If K-40 will disappear, Kodak will substitute it by, perhaps, Ektachrome 100 D (more grainy
). I pray for a new color reversal E-6 processing stock with a very fine grain and better resolving power as the new slide Ektachrome G-series.
The new Fuji Velvia 100 D coul be a good choice, but perhaps more expesive due its limited production. ( And someone must to cut it in S8 format).
Forget Single 8 stocks, very complicate to find and very expensive developing.
My hope is Paul´s S8 cutting machine, just buy reloadable cartridges, process the film in E-6 (at home or send it to a lab) and end of the history.
Carlos.
If K-40 will disappear, Kodak will substitute it by, perhaps, Ektachrome 100 D (more grainy

The new Fuji Velvia 100 D coul be a good choice, but perhaps more expesive due its limited production. ( And someone must to cut it in S8 format).
Forget Single 8 stocks, very complicate to find and very expensive developing.
My hope is Paul´s S8 cutting machine, just buy reloadable cartridges, process the film in E-6 (at home or send it to a lab) and end of the history.
Carlos.