Having heard of similar experiments previously on this forum, I tried to experiment with batch processing of tif sequences on Photoshop (PS), that I had captured via the Retro8 Pro.
While the colours and contrast on individual frames are vastly improved (neg scans look very undersaturated and there is a lot of colour noise in the highlights, but there is still a lot of information there to work with), the enhancements I have carried out on Photoshop come with a major downside: I am not getting enough consistency on the final footage.
Indeed, the way I have done this batch was by recording the following action:
- Copying the frame to a new PS layer
- Selecting the image area without the blackbars on the side of the 16/9 frame (in order to apply proper auto-levels, otherwise the black masks would have hindered that process)
- applying Auto-Levels (Ctrol+Shift+L) to the selected image area on that new layer
- Reducing the opacity & fill of that new layer to 75%, or so, to avoid an overcontrasted look
- Merging both layers then saving to a new .tiff image
Later on, I imported this new image sequence into Adobe Premiere and applied some denoising with the Neat Video plugging, as some of the white had some not so nice looking colour noise.
Should I have applied Auto-Colour to that action as well?
Here are a couple of stills exported from the sequence to illustrate this.
Maybe someone has a script they have been using in conjunction with the Retro scanners and Kodak Vision Negative film. Any assistance or feedback would be most welcome

I should add that the numbered image sequences from Moviestuff's Retro8 Software are 16-9 by default, so for those who would have considered using Film9 or Fred's avisynth script (which needs files with no blackbars on the side, so 4/3), some cropping would need to be done via photoshop first and possibly more messing with file types, so photoshop and certain plugins is probably the best for processing.
Original Image

After Auto-Levels script, most shots on that scene had kept a reddish hue

After Auto-Levels script - that one frame turned greener for instance

Same frame before NeatVideo denoising (all footage has previously been denoised via the Retro8pro software by the way)

If I add auto colour balance in Photoshop (Ctrl+Shift+B), the colour inconsistency issue is less visible and the final image looks better.

Same Auto Color Balance applied to the other frame. Colour is now nearly the same, as you can see
