Importing OMF into FCP [??]

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steve hyde
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Importing OMF into FCP [??]

Post by steve hyde »

...We want to export the audio track from a short film so that we can work it in Pro Tools. What is the best method for doing this? The problem that we have discovered is FCP will not allow importing OMF. FCP exports OMF, but does not import....What is up with that?


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Post by sunrise »

To my knowledge you'll need expensive 3rd party software to do this.

Do you have the possibility to work around this using an exported version of your film or do you need to be able to do both audio and video editing at the same time?

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Post by mattias »

why do you need it? i thought you said you wanted to export to omf in order to work in protools, which will work fine (some problems with levels and transitions unfortunately though), and then you can bounce an aiff to bring back.

/matt
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Post by steve hyde »

..Thanks. We are going to bounce back with the .aif.... We are using PRo Tools 7.1 and it has a video track.. I'm fascinated by the program! You can edit in millisecond increments.. Amazing! The reason I wanted to bring back the OMF is to keep the sound elements un-nested, but I think we can work around having them nested...all in all starting to feel like cinema though. Who was it who said sound is two thirds of the experience?...Kurosawa?

The sound mix is the fun part to be sure..

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Post by Mike P »

for reference, the FCP <> Avid tool is Automatic Duck: http://www.automaticduck.com/products/
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Post by MusicConductor »

[quote="steve hyde"]I'm fascinated by the program! You can edit in millisecond increments.. Amazing![/quote]

You can do even better than that... most audio NLEs can edit down to single sample increments... how's that for precise! My editor of choice for producing music, as well as mixing audio to picture, is the relatively inexpensive and very powerful Adobe Audition.
Last edited by MusicConductor on Sat Sep 15, 2007 12:41 am, edited 1 time in total.
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Post by mattias »

you can edit sound in fcp in 1/1000s increments as well. hold down shift and scrub in the viewer.

/matt
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Post by steve hyde »

...good things to know. Thanks. Learning lots about sound mixing this week.

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Post by steve hyde »

...I have another FCP question and don't want to litter the board with all of my NLE questions so hopefully it will get picked up in this one.

I made one of my sequences "widescreen" using the video filters and now I can't turn it back to normal. How do you turn off the widescreen effect in FCP?

Thanks in advance,

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Post by steve hyde »

steve hyde wrote:...I have another FCP question and don't want to litter the board with all of my NLE questions so hopefully it will get picked up in this one.

I made one of my sequences "widescreen" using the video filters and now I can't turn it back to normal. How do you turn off the widescreen effect in FCP?

Thanks in advance,

Steve

... I figured it out once I found the check box in the filters tab on the viewer..
:oops:

Steve
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Post by Will2 »

Have you considered working in anamorphic in FCP? Carrying it through all the way to the DVD burning gives you great picture quality on a 16:9 TV.
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Post by steve hyde »

Will2 wrote:Have you considered working in anamorphic in FCP? Carrying it through all the way to the DVD burning gives you great picture quality on a 16:9 TV.
not for this program, I haven't. Maybe I will try that on a subsequent cut, but the festival at hand is getting 1.66

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Post by mattias »

a side note, since this is what i thought you were asking and it's something i'm sure you'll run into: if you have a 16:9 sequence and drop 4:3 material on it, it will get black sides, then if you uncheck the box the footage gets squeezed, keeping the sides. the solution is to select all clips, do edit->remove attributes, selecting distort, and clicking ok. voila.

/matt
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