Thanks everyone.
The cinematographer's not the teacher, but an industry professional, who's kindly been helping us with the logistics of shooting with this very expensive medium, for half of the first day. There's a second year student who's written, directed and is DOPing this shoot - I'm just a camera assistant, who's a first year student. Whether we agree with the supervising cinematographer or not makes no difference to our final mark.
What's really thrown me about the whole thing is:
He's been working in the industry for 20 years. He's been to AFTRS - the best film school in the country. He's worked overseas, and knows his cinematography inside out. All of us on set respected him immensely, and appreciated his expertise. And he wasn't an egotistical a*hole about it at all - unlike some DOP's.
But he was really down about film. In conversations with one of our teachers, they talked about the collapse of Agfa and Minolta, and noted how commercial photographers have overwhelmingly gone digital - as well as the consumer market. And how feature films are sure to go digital too, just like TV has....
I didn't get the impression it was done to discourage us from pursuing film, to protect his own place in the industry. But more like "these are the harsh facts of life, and this is the future".....
I have been spending quality time with my Bolex this evening, in any case.
