Uppsala BildTeknik wrote:Nah, with any decent NLE you can choose if you want to de-interlace or not
This has nothing to do with whether you deinterlace the footage. This has to do with how NLE systems produce speed changes. They do not do it the same as a Rank does but CineCap will. It's more efficient and looks better and that's all there is to it.
Uppsala BildTeknik wrote:no need to render to preview a speed change,
Most NLE systems require you to render your speed change just to see if it is right. CineCap does not require it and VidCap offers no speed preview at all, real time or otherwise.
Uppsala BildTeknik wrote:I have never "lost" a color correction because I did a speed change at the same time,
You misunderstand. I never said that you would lose your color correction. I said that on most NLE systems, you lose "real-time" color correction capability when you add a speed change or other effects. This means that you have to render your color correction
and your speed change and that is less efficient than batch processing your speed changes seperately and then doing real time color correction during editing on NLEs that will allow it.
Uppsala BildTeknik wrote:and with the color corrections that are needed anyway you STILL need to export the project from NLE wheather you need a speed change in the clip or not.
Nope. There are NLE systems that offer real time, non-render color correction. That capability is lost when you add flips and speed changes to the equation.
Uppsala BildTeknik wrote:Industry standard pulldown or not, with a NLE you have full control over the speed change,
Actually, you have little control over the FPS rate, compared to CineCap, and even less control over the quality of the motion since NLEs historically deinterlace the duplicate frames as I noted before. The bottom line is that CineCap produces better results on speed changes.
Uppsala BildTeknik wrote:if I remember it correctly Dodcap only has a few presets?
And VidCap and NLEs have none.
Uppsala BildTeknik wrote:What if the footage was shot with something like 13 fps?
The current version of CineCap will allow you to dial in in any speed you wish and it will calculate the smoothest pulldown pattern required. NLE systems do it in percentages that work convenient for the NLE system at the sacrifice of quality and motion. That's why CineCap is so popular. It simply works better for this application.
Uppsala BildTeknik wrote:Paid manhours to do rendering of speed change at the same time the CC is applied? I thought it was the computer that did all that!
Dragging an entire folder of clips into CineCap for batch processing of the speed change and/or flip is far and away faster than applying speed changes one at a time on your NLE. THAT's what takes time and it has to be done manually, one by one, instead of drag and click. Also, any cheap computer can be used to batch process speed changes/flips while doing this on your NLE ties up both human and computer resources. There is no comparison if working in volume.
Uppsala BildTeknik wrote:That is all that is needed. See above.
You misunderstand the concept. See above.
Roger