"Epitaph" online premiere.
Moderator: Andreas Wideroe
-
- Senior member
- Posts: 2565
- Joined: Sun Apr 03, 2005 9:04 am
- Location: FL
- Contact:
"Epitaph" online premiere.
I've posted my most recent short film, "Epitaph." This was shot over Thanksgiving weekend with my R10 and 6 carts of K40. Everything except the sunset sequence was at 24 fps. The transfer was off the wall using my GL2 and a Eumig 824 projector. Comments are welcomed.
Save the file to your hard drive (it's not embedded in an HTML page).
http://plaza.ufl.edu/ekubota/EPITAPHf.mp4
Save the file to your hard drive (it's not embedded in an HTML page).
http://plaza.ufl.edu/ekubota/EPITAPHf.mp4
Production Notes
http://plaza.ufl.edu/ekubota/film.html
http://plaza.ufl.edu/ekubota/film.html
- freddiesykes
- Posts: 433
- Joined: Mon Oct 31, 2005 8:15 pm
- Location: Saint Paul, MN, USA
- Contact:
- freddiesykes
- Posts: 433
- Joined: Mon Oct 31, 2005 8:15 pm
- Location: Saint Paul, MN, USA
- Contact:
- sooper8fan
- Posts: 943
- Joined: Sat Apr 30, 2005 7:53 pm
- Real name: seth mondragon
- Location: So.Cal.USA
- Contact:
Evan, it always seems like you've got nothin' but spare time on your hands
I'm jealous that you're always working on something.
I'm not really a big sci-fi fan at all, however, with regards to camerawork, this was such a huge improvement from Taco (no offense). I actually enjoyed watching this one. I liked that it was all Super8 (with the exception of that ending graphic I assume). I really liked the soundtrack as well....and all the audio elements of the film. Nicely done. I assume you're happy with all your footage from the R10?
Out of curiosity, was that last black & white shot originally K40 that you just made black & white?
My only other comment is that even though I say I'm much more impressed with the camerawork this time, if the film was starring you....then you must not have been shooting, right?
Hopefully one of these days I'll have something for you to critique me on
Until then, keep up the good work, Evan.
I'm not really a big sci-fi fan at all, however, with regards to camerawork, this was such a huge improvement from Taco (no offense). I actually enjoyed watching this one. I liked that it was all Super8 (with the exception of that ending graphic I assume). I really liked the soundtrack as well....and all the audio elements of the film. Nicely done. I assume you're happy with all your footage from the R10?
Out of curiosity, was that last black & white shot originally K40 that you just made black & white?
My only other comment is that even though I say I'm much more impressed with the camerawork this time, if the film was starring you....then you must not have been shooting, right?
Hopefully one of these days I'll have something for you to critique me on
photo site: http://www.zelophoto.com
photo blog: http://www.zelophotoblog.com
photo blog: http://www.zelophotoblog.com
- BK
- Senior member
- Posts: 1260
- Joined: Sun May 18, 2003 11:29 am
- Location: Malaysia, TRULY Asia
- Contact:
Great work Evan! I enjoyed it.
However I thought the beginning was a little abrupt, it seems like it was part two of a story and I never had a chance to get to know the charactor well and share his feelings.
Would be nice if there was some more shots ( maybe with space craft models ) of the craft hitting the astroids at light speed and of astronaut's escape and landing just to make it more dramatic.
The audio is excellent with good music and sound effects.
Bill
However I thought the beginning was a little abrupt, it seems like it was part two of a story and I never had a chance to get to know the charactor well and share his feelings.
Would be nice if there was some more shots ( maybe with space craft models ) of the craft hitting the astroids at light speed and of astronaut's escape and landing just to make it more dramatic.
The audio is excellent with good music and sound effects.
Bill
- MovieStuff
- Posts: 6135
- Joined: Wed May 01, 2002 1:07 am
- Real name: Roger Evans
- Location: Kerrville, Texas
- Contact:
-
- Senior member
- Posts: 2565
- Joined: Sun Apr 03, 2005 9:04 am
- Location: FL
- Contact:
I was operating the camera for all the shots where I wasn't in frame... the others were operated by my brother, but I generally framed each shot very specifically before handing over the camera. He had some problems pulling focus, zooming, and panning at the same time... there's one shot where the focus is not great, but it was a long take and I couldn't repeat it.
I didn't storyboard anything for this project except the opening sequence (in the field, removing the metal shrapnel). Surprisingly, I thought this came together in a visual sense at least as well as "Survival Record," which was 90% storyboarded. My preference now when location shooting is to look at what's available and assemble the angles in real-time while shooting. I didn't encounter any real issues with mismatched cuts, weird angles that didn't edit well, etc. I'll probably continue to shoot this way in the future whenever possible.
I agree that the MP4 is not ideal. I'll run a better-looking version through Compressor at some point, but my webspace is extremely limited (25 MB).
Everything was K40 except the final photo, which is a JPEG from a satellite.
I also have a new tripod and a Miller head, which I used for this project ;) Taco was shot on a no-name tripod from the '70s with a friction head where the grease had dried out.
As for abruptness - this project was conceived really quickly to re-use the props and the set from "Silence," my earlier SF project. Kind of Ed Wood-like, I guess, in the sense that it had to be made quickly and using elements from other films. The opening shot in the space capsule, as well as the closing POV shot ascending into space, are actually directly taken from "Silence" ;)
The R10 has been a great camera - easy to use, reliable, good images. Some of the processing left the footage fairly dirty, but what can I do when it's the only place in the hemisphere that does K40...
I guess I do have quite a bit of spare time compared to most people, but it still takes a good 5-6 weeks to conceive, write, shoot, and edit a project. I only produced five projects this year (1 16mm, 3 Super 8, 1 miniDV). Next year will probably be 3 or 4, maximum, although at least one will be 16mm, in the 20 minute range.
I didn't storyboard anything for this project except the opening sequence (in the field, removing the metal shrapnel). Surprisingly, I thought this came together in a visual sense at least as well as "Survival Record," which was 90% storyboarded. My preference now when location shooting is to look at what's available and assemble the angles in real-time while shooting. I didn't encounter any real issues with mismatched cuts, weird angles that didn't edit well, etc. I'll probably continue to shoot this way in the future whenever possible.
I agree that the MP4 is not ideal. I'll run a better-looking version through Compressor at some point, but my webspace is extremely limited (25 MB).
Everything was K40 except the final photo, which is a JPEG from a satellite.
I also have a new tripod and a Miller head, which I used for this project ;) Taco was shot on a no-name tripod from the '70s with a friction head where the grease had dried out.
As for abruptness - this project was conceived really quickly to re-use the props and the set from "Silence," my earlier SF project. Kind of Ed Wood-like, I guess, in the sense that it had to be made quickly and using elements from other films. The opening shot in the space capsule, as well as the closing POV shot ascending into space, are actually directly taken from "Silence" ;)
The R10 has been a great camera - easy to use, reliable, good images. Some of the processing left the footage fairly dirty, but what can I do when it's the only place in the hemisphere that does K40...
I guess I do have quite a bit of spare time compared to most people, but it still takes a good 5-6 weeks to conceive, write, shoot, and edit a project. I only produced five projects this year (1 16mm, 3 Super 8, 1 miniDV). Next year will probably be 3 or 4, maximum, although at least one will be 16mm, in the 20 minute range.
Production Notes
http://plaza.ufl.edu/ekubota/film.html
http://plaza.ufl.edu/ekubota/film.html
-
- Senior member
- Posts: 2565
- Joined: Sun Apr 03, 2005 9:04 am
- Location: FL
- Contact:
I had the helmet and costume from another project, but if I included those, around $300 including film and processing.
The helmet is a Soviet high-altitude pressure helmet (GSh-6) and the costume is a set of US vehicle crewman overalls.
The helmet is a Soviet high-altitude pressure helmet (GSh-6) and the costume is a set of US vehicle crewman overalls.
Production Notes
http://plaza.ufl.edu/ekubota/film.html
http://plaza.ufl.edu/ekubota/film.html
- steve hyde
- Senior member
- Posts: 2259
- Joined: Fri Jun 25, 2004 1:57 am
- Real name: Steve Hyde
- Location: Seattle
- Contact:
-
- Posts: 52
- Joined: Fri Sep 16, 2005 1:19 am
- Contact:
If you need some web space, I'd be glad to help you out. 

Independent Filmmaker
http://www.lytewave.com/
http://www.lytewave.com/
- Rick Palidwor
- Senior member
- Posts: 1033
- Joined: Mon Jan 05, 2004 6:02 am
- Real name: Rick Palidwor
- Location: Toronto
- Contact: