I have a few faded digests. As I usually buy some on eBay I can say it's hard to find one that isn't a little faded.
What type of film are they printed to and why does it happen to that films and not to the home movies we film with our cameras?
Super 8mm Films...
Moderator: Andreas Wideroe
-
- Senior member
- Posts: 2258
- Joined: Fri Apr 29, 2005 9:23 pm
- Location: Hamburg, Germany
- Contact:
I'm sorry if you'll feel offended Tim, but the only way I know would be digital color correction.Tim wrote:I bought a bunch of digests awhile back and I've found that most of the color films I got from the seventies are all faded to muddy red. I know why this happens but I was wondering if there is anything people do to "fix" this. I realize there is no magic to bring back what is lost, but I was wondering if there is some process to "improve" the image, maybe?
Gimme a K! Gimme 40 of'em! Bingo, 40 times as long archivability (at least)!Gon_14 wrote:I have a few faded digests. As I usually buy some on eBay I can say it's hard to find one that isn't a little faded.
What type of film are they printed to and why does it happen to that films and not to the home movies we film with our cameras?
"Mama don't take my Kodachrome away!" -
Paul Simon
Chosen tools of the trade:
Bauer S209XL, Revue Sound CS60AF, Canon 310XL
The Beatles split up in 1970; long live The Beatles!
Paul Simon
Chosen tools of the trade:
Bauer S209XL, Revue Sound CS60AF, Canon 310XL
The Beatles split up in 1970; long live The Beatles!
-
- Posts: 927
- Joined: Mon Feb 02, 2004 2:54 pm
- Location: Rochester, NY 14650-1922 USA
- Contact:
Kodak introduced "low fade" cyan dye technology in print stock (the film used for 35mm prints and your "digests") in 1979:etimh wrote: I bought a bunch of digests awhile back and I've found that most of the color films I got from the seventies are all faded to muddy red. I know why this happens but I was wondering if there is anything people do to "fix" this. I realize there is no magic to bring back what is lost, but I was wondering if there is some process to "improve" the image, maybe?
Tim
You can read all about it on the Kodak website:
http://www.kodak.com/US/en/motion/produ ... 20.6&lc=en
http://www.kodak.com/US/en/motion/produ ... 20.8&lc=en1979
* EASTMAN Color LF Print film, 7378. Improved cyan dye post processing keeping. Process ECP. Markedly improved cyan dye dark-keeping stability. Discontinued January, 1982.
* EASTMAN Color LFSP film, 7379. Same as 7378 except for Process ECP-2. Markedly improved cyan dye dark-keeping stability.1 Discontinued 1983.
You can greatly slow the reaction that causes dye fading by storing your films properly, in accordance with SMPTE Recommended Practice RP131.1982
* EASTMAN Color Print film, 7/5384 Improved cyan dye dark keeping and red sensitivity to process variations. Process ECP-2A. Replaced 7/5381, 7/5383, 7378, 7379. In SMPTE Journal December 1982 and BKSTS Journal August 1983.
John Pytlak
EI Customer Technical Services
Research Lab, Building 69
Eastman Kodak Company
Rochester, NY 14650-1922 USA
EI Customer Technical Services
Research Lab, Building 69
Eastman Kodak Company
Rochester, NY 14650-1922 USA