S8 filmstocks compared

Forum covering all aspects of small gauge cinematography! This is the main discussion forum.

Moderator: Andreas Wideroe

User avatar
npcoombs
Posts: 982
Joined: Mon May 30, 2005 10:03 am
Location: computer
Contact:

Post by npcoombs »

Steve your 7217 shots are outrageously sharp and all round nice, but do you have any daytime wide shots?

I would love to see shapness and grain of 7217 at EI 100 - I presume it was developed as per normal at EI200?
User avatar
steve hyde
Senior member
Posts: 2259
Joined: Fri Jun 25, 2004 1:57 am
Real name: Steve Hyde
Location: Seattle
Contact:

Post by steve hyde »

npcoombs wrote:Steve your 7217 shots are outrageously sharp and all round nice, but do you have any daytime wide shots?

I would love to see shapness and grain of 7217 at EI 100 - I presume it was developed as per normal at EI200?
..I do have daytime wide shots and will generate more stills to post the next time I'm in the editing suite for review. (and .mov) All my color neg postings here are processed normal (EI200)

The wider the shot the more we will get visible grain. That has been my experience with super 8. Mid focal lengths, mid aperatures and overexposure by one stop with normal processing seems to me to be the best way to get a finer grained image on color negative.

For me this means Super 8 is useful for close ups and can be intercut with wider angle 16mm footage on the same stock without too much visual distraction. ( this is my untested assumption)

Steve
User avatar
audadvnc
Senior member
Posts: 2079
Joined: Mon Jan 17, 2005 11:15 pm
Location: Minneapolis, Minnesota
Contact:

Post by audadvnc »

Question: when people talk of shooting 7217 as ASA 100 film, do they also pull the development 1 stop, or process as normal and overexpose the film 1 stop?
User avatar
steve hyde
Senior member
Posts: 2259
Joined: Fri Jun 25, 2004 1:57 am
Real name: Steve Hyde
Location: Seattle
Contact:

Post by steve hyde »

audadvnc wrote:Question: when people talk of shooting 7217 as ASA 100 film, do they also pull the development 1 stop, or process as normal and overexpose the film 1 stop?
When I say it, I mean overexposing the film by one full stop and asking the lab to process as normal. The telecine operators I work with have told me this is a good habit because it gives them a bit more to work with..

Steve
T-Scan
Senior member
Posts: 2331
Joined: Mon Sep 08, 2003 9:19 am
Location: Portland, OR
Contact:

Post by T-Scan »

Image


This is one of few wide angle shots I wave on 200T just playing around.
100D and Vision 3 please
T-Scan
Senior member
Posts: 2331
Joined: Mon Sep 08, 2003 9:19 am
Location: Portland, OR
Contact:

Post by T-Scan »

Here's a medium to wide shot, maybe zoomed.. these shots look very sharp in real time.

Image
100D and Vision 3 please
User avatar
Scotness
Senior member
Posts: 2630
Joined: Fri Jan 24, 2003 8:58 pm
Location: Sunny Queensland, Australia!
Contact:

Post by Scotness »

My god - that man in the window on the left must be what - 80 feet tall??
Read my science fiction novel The Forest of Life at https://www.amazon.com/gp/product/B01D38AV4K
davta9
Posts: 48
Joined: Sat Nov 12, 2005 11:48 pm
Contact:

Post by davta9 »

very interesting :P thanks for posting these! cant wait for some .mov files.







-david
User avatar
Andreas Wideroe
Site Admin
Posts: 2276
Joined: Tue Apr 30, 2002 4:50 pm
Real name: Andreas Wideroe
Location: Kristiansand, Norway
Contact:

Re: S8 filmstocks compared

Post by Andreas Wideroe »

I dug out these old filmframes from a backup ...
Andreas Wideroe
Filmshooting | Com - Administrator

Please help support the Filmshooting forum with donations
Post Reply