Should films be governmentally funded?

Forum covering all aspects of small gauge cinematography! This is the main discussion forum.

Moderator: Andreas Wideroe

Post Reply
User avatar
VideoFred
Senior member
Posts: 1940
Joined: Tue May 25, 2004 10:15 am
Location: Flanders - Belgium - Europe
Contact:

Post by VideoFred »

mattias wrote: my girlfriend is french but her family belgian, so i've visited lots of parties and weddings down there. insane yet fantastic.

/matt
Hehe,

Then you know there's a Flemisch (Dutch speaking) part, a French part and even a small German part.

Then you also know there is some 'tension' between the Flemisch and the French part of Belgium. :o
Our king, Albert, tries to keep things together :wink:

I'm from the Flemisch part: Ghent.

Fred.
fritzcarraldo
Posts: 215
Joined: Mon Jun 02, 2003 7:14 pm
Contact:

Post by fritzcarraldo »

npcoombs wrote:From my perspective I have no issues where the money comes from, only who is going to, for what projects and why?

The inherently conservative nature of capitalist funded productions is unlikely to deliver us many cutting edge, subversive or interesting productions in the future.

Other sources include major festivals, which have got involved in funding features such as Ceylan's Uzak.

The Film Council in the Uk tends to be as conservative as the capitalist model, only more hapless and pulling the strings to meet social engineering targets.

I would like to see more films funded through festivals, galleries and Art Councils: who would take a more long term, critical view of work: it's meaning, importance and how it will stand the test of time in decades to come.
I like your images and your thoughts too,

Great point of view
User avatar
npcoombs
Posts: 982
Joined: Mon May 30, 2005 10:03 am
Location: computer
Contact:

Post by npcoombs »

fritzcarraldo wrote:
npcoombs wrote:From my perspective I have no issues where the money comes from, only who is going to, for what projects and why?

The inherently conservative nature of capitalist funded productions is unlikely to deliver us many cutting edge, subversive or interesting productions in the future.

Other sources include major festivals, which have got involved in funding features such as Ceylan's Uzak.

The Film Council in the Uk tends to be as conservative as the capitalist model, only more hapless and pulling the strings to meet social engineering targets.

I would like to see more films funded through festivals, galleries and Art Councils: who would take a more long term, critical view of work: it's meaning, importance and how it will stand the test of time in decades to come.
I like your images and your thoughts too,

Great point of view
Thanks, it sometimes seems like throwing fuel on the flames of the various polarised debates on this board is judged more valuable than a considered opinion.
Post Reply