Filmshooting

For what it's worth, I'll add a data point or two...

My nizo S800 has a pin in the aforementioned area that seems to override the manual daylight / tungsten setting. Here's how I confirmed: I opened up the back door with no cart in, opened the shutter, and observed the following:

Indoor setting ...

Wow, sounds really cool...Does the professional change the intervalometer and or aperture settings when in this mode? ie speeding up the frame rate to keep up with changing light? if so, that would produce some really cool effects...My nizo does not, but after reading someone's description of a ...

I have a nizo s800 and it does the time exposure thing. The intervalometer can be set from 6 frames per second to 1 frame per minute. This can be utilized in normal mode, where the shutter only stays open for a fraction of a second, or in shutter open mode, (by pulling the fade lever back past full ...

I would have to respectfully disagree... It won't be good enough (compared to optically printing) as it won't any different than cropping into an 8mm section of a 35mm transparency. There is a limit to how high a resolution you can go using even a commercial scanner and a huge loss of resolution ...

Oh, forgot to mention, do it yourself ilfochrome requires an enlarger with a color head, and it's own set of chemicals. The process is quite touchy if I recall, with many steps and a tight temperature range (1/2 a degree or so i think) That being said, there are some kits out there...Dont forget, no ...

All good ideas and there are a few "workflows" you could use, but watch for these caveats:

Positive film to larger positive film to scan won't really get you anywhere, as there are film scanners that handle any format, and will scan down to the grain. Every generation of duping in your process will ...

Thanks all for your replies.

Wells

Hello list...

First post...

I'm a photographer, and recently "got hooked" myself...I was never a fan of the look of video (save for the ridiculously large amount of footage that can be created for no money...) and recently borrowed a friend's Nizo to film some surfing...I now have 6 rolls of k40 ...

F-stop is the result of dividing the focal length of a lens by the diameter of the effective aperture. Therefore a 0.5 lens will have an aperture twice the diameter of the focal length. At these extremes, light coming from the edge of the lens must bend around 45 degrees. Very hard to keep all ...

Oops, forgot about the batteries...yeah, you need them, and remember you need the 1.35 Volt zinc-air ones, not the 1.5 volt normal buttons; (hard to find, don't work well in cold, etc. ) one drawback to early nizo's...

Wells

Hi.

200 is (approx) 1/3 stop more sensitive than 160. (ASA's work like shutter speeds, a doubling of the number=one stop, eg. 25-50-100-200-400 are all one stop apart, 40 is 2/3 stop from 25, etc)

Neg film, with it's lattitude, would render 1/3 stop inconsequential, especially on the overexposure ...

I believe I can clarify some of Pedro's observations, as I have a nizo s800 and (i think) i've figured out most of the features.

First of all, the Nizo uses it's variable shutter (not the aperture) to perform fades, so the same lever that does the fade is the one that does the half-shutter ...