Filmshooting

If you're shooting through the windscreen you could use a polarising filter on the lens, though this will lose you a stop or so of light.

Thanks for that, so I'm better off sticking to tungston film then unless I'm filming exclusively outside. It's all slowly becoming clearer!

Aye, most of my MF stuff's taken on Velvia, apart from the monochrome shots. Seems odd getting Tungston film, then having to cancel the filter on the camera to use it under tungston light, have I got that right? Had to read that a couple of times in the manual before it sunk in!

Thanks Angus, I was thinking of trying the Fuji stock as I love the colours on Velvia slide film. I'm open to digi editing, I'm just not sure about the transfers etc, I can see this is going to be a steep learning curve! Regarding tungston film etc, the camera I have has a built in CCA filter which ...

Thanks for all the replies, I'm now a lot clearer on the issue. I think I'll try a few rolls of reversal to get used to it before I start experimenting! As I say I'm new to this so I appreciate the comments on NLE, but what's the best way of doing this? Getting the film transferred to DVD and taking ...

Thanks for that, I was leaning towards reversal because of the colour saturation, although I do quite fancy tring some mono too. I'd probably edit the oldschool way as I hate the thought of spending hours at a computer.

Hi, I'm new to Super 8 having just got a Canon 814. I was wondering what the advantages/disadvantages of positive and negative film were as regards editing, processing and viewing etc. I've had a quick Google but nothing seems to specifically answer this question. I do a lot of stills photography ...